Wolfe’s “Rustin” and Andrew Haig’s “All of Us Strangers” have been much celebrated.Īt Toronto, Bailey grants the absence of actors has a cascading effect on other parts of the festival - the amount of media that makes the trip, the number of industry members on hand and the press junkets that fill up hotel floors throughout downtown Toronto. Out of the recent Telluride Film Festival, which has always focused more on movies themselves than the circus of larger festivals, Alexander Payne’s “The Holdovers,” George C. Yorgos Lanthimos’ “Poor Things” was a sensation in Venice. Word is still getting out on many of the breakout films. Even though Bradley Cooper could have come to Venice as a director for his Leonard Bernstein biopic “Maestro,” in which he also stars, Cooper elected not to hit the Lido with his Oscar contender. Adam Driver, who stars in the independently made Michael Mann film “Ferrari,” wondered why “a smaller distribution company like Neon and STX can meet the dream demands of what SAG is asking for … but a big company like Netflix and Amazon can't?”īut most stars have simply stayed home. Lead juror Damien Chazelle wore a writers guild shirt to the opening press conference. The dual strikes have already taken the spotlight at the Venice Film Festival. But I think they’re doing the right thing at the right time. “It is a shame that they’re not going to be with us when we premiere in Toronto, but it is what it is. Directed by “Harry Potter” filmmaker David Yates, it boasts a starry cast led by Emily Blunt and Chris Evans as pharmaceutical drug reps in the early days of the opioid epidemic. Films come to a festival like Toronto looking to make as big a splash as possible, and announce themselves to moviegoers and Oscar voters.Ī movie like “The Pain Hustlers” could have expected to cause quite a stir. And it’s not only about the photo opportunities. Independent productions have the chance of securing interim agreements from SAG-AFTRA.īut the biggest film festivals depend on having red carpets flush with stars. Documentaries and their subjects will still there. Some performers are still coming to the 48th annual TIFF, which opens Thursday night with Hayao Miyazaki’s long-awaited “The Boy and the Heron.” Filmmakers will be present. And we put some of those same measures at the beginning of the news about the actors strike.” We have good experience from recent years in terms of handling how the COVID pandemic affected us. “You have to respond to what the year gives you. “This is the nature of running a festival,” Bailey says. Now, TIFF was faced with a sudden eclipse of star power. In Metro Exodus Anna keeps this desire which is later also shown by Miller.TORONTO (AP) - When the Hollywood actors union announced a strike this summer, Cameron Bailey, the longtime chief executive of the Toronto International Film Festival, dusted off his COVID-19 playbook.įor two years, TIFF, the largest film festival in North America, had maneuvered through pandemic editions that persevered, one way or another, through travel restrictions, social distancing measures and other upheavals. However, one of Anna's greatest dreams is for them to become a "normal" family and for her to one day give birth to a healthy child that is not suffering from any radiation-conceived disabilities. In Metro 2035, Artyom and Anna are a married couple, but they do not have a son. With the release of Metro Redux it seems as though the Redemption ending is canon, as the main menu of Metro 2033 Redux appears to show an older Artyom at his desk with Anna pacing around the room and their son running around in circles. However, she says they went away, but promised to return one day to rebuild humanity. In the C'est la Vie ending, long after Artyom sacrificed himself during the Battle of D6, Anna sits with Artyom's son in a room resembling Artyom's in D6 (though it cannot be, as D6 was destroyed), telling the former of Artyom's adventures, and how ".he was the bravest of us all, always prepared to embrace the things he didn't understand." Her son asks Anna where the Dark Ones went, but she admits she does not know. Artyom last sees Anna on the automatic train to D6, but the two do not speak, only watching each other leave silently. Artyom conceived him with Anna in 2034 during quarantine in Oktyabrskaya - thinking they were going to die from a virus, the two grew intimate before Artyom left to find the Baby Dark One. See quotes.Īrtyom's Son is a character in Metro: Last Light, seen only in the C'est la Vie ending. Metro Wiki has a list of quotes for this character.
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